






ennelakanti, Chandrabose, Veturi & Bhuvanachandra.Make-up: Michael Westmore.Music: Himesh Reshammiya.Direction: KS Ravikumar.Co-producer: Rameshbabu.Presenter: V. Ravichandran.Banner: Ascaar Film (P) Ltd.Release Date: 13th June, 2008.To enact 10 diverse roles in one movie, and do all of them convincingly (and a few of them brilliantly), one must either be a madman or a genius. Or both. The general verdict on Kamal Hassan is that he is definitely both. Dasavatharam keeps you wondering 'what next?' and then when next happens, it does finally move you. In spite of all the hype surrounding the actor playing 10 roles, the story is given utmost importance and Hassan's screenplay really makes the movie watchable. Suddenly at the very end, he decides to mock his own efforts in a final sadomachoistic gesture. The last word goes first with Dasavatharam.Plot Govinda Raju is a biotechnology scientist in the US who realizes the dangers of chemical warfare. The chip containing a potent chemical that can destroy billions that they developed goes missing, and Govinda is in search of this vial which travels all the way to India. Many events and people's lives are intertwined as the protagonist searches for this vial in this science meets faith journey.Story, Screenplay and Direction The movie begins with the end. Once the climax approaches, you think you know what is coming up next, and then become pleasantly surprised. The terror and pain of the Tsunami has for the first time been justified on the silver screen. The way all the different threads pick up in the end is what makes the movie interesting and likeable. 
Otherwise the music is bland.Last Word The movie ends at the beginning, and leaves you with a sense of satisfaction-of a marathon effort in filmmaking that's not wasted. For those who were afraid that Hassan might take himself way too seriously and it might turn out to be another Abhay (shudder!), there is good news. Dasavatharam makes a good watch, not just to see the actor play most of the major roles, but for having a solid fact-interweaves-with-fiction story that ends well but signs off with a little bit of self-mockery. But still, it is a clever movie, and the effort is there for all to see.Rating: 2.5/5
Introduction The incredibly slim and trim figure of NTR – a carry forward brand fr
om Yamadonga – unleashed a sea of expectations among the Telugu film lovers all over the world. The persisting dilemma whether NTR could once again mesmerize the audiences with his uncanny figure in Kantri - just as he did in Yamadonga, got fizzled out. Yes. NTR is the clear winner. He ripped the screen with his electrifying dances and bone-breaking stunts and ferocious dialogues and what not. It is altogether an NTR film; and there is not much that you can expect from the entertainment angle. The film might soon slip into the flip side.
Synopsis
Kranti aka Kantri (NTR) is a Good Samaritan, who, to pu
t it in his own words: "Kantri for cheats." An orphan himself, he soon finds himself in the midst of baddies, forced to be part of their empire. Their boss is Pothu Raju aka PR (Prakash Raj), who rules his ring of operations from counterfeit currency to smuggling to all dark business in
Kantri is one such guy. Soon, he gets into the centre of activities and directly handles the operations without consulting his immediate local bosses. This helps him win the confidence of PR. Kantri even goes to Hong Kong and puts an end to the business of PR's rival Murali Sharma (onetime loyalist) and clinches the deal. Back in
Performance NTR as expected is the master of his own histrionics. Looking agile, bubbling with high levels of energy and charm, he rips the screen with amazing performance; say it in dances, stunts, dialogues and all other segments of acting. NTR as Kantri would sure make the audiences forget his previous molds of characterizations, hefty and round. Hansika Motwani is all glamour, but she utterly failed when it comes to performance. She played the role of a middle class girl. Another heroine Tanisha yet played the second fiddle.
Though, the director tried his level best to cull out the maximum mileage from the female charms, going by the story and situations, their characterization is rendered waste. Sunil and Brahmanandam's comedy thread is dull. Dharmavarapu Subramanyam and Hema played the parents to the heroine (Hansika). Murali Sharma who played the rival to Prakash Raj in the backdrop of
Technical Details
Meher Ramesh, the debut director in Tollywood, donned the multiple responsibilities of story, screenplay, dialogues and directions. Naturally, the result is a cocktail resulting in headache. Story is completely devoted to inter-rivalry factor – the henchmen turning into bosses themselves. This monotonous story further dwells into twists and counter twists, which the audiences really don't seem to care at all. Screenplay is nagging.
First half is completely not-happening, giving the audiences a sense of boredom. The second half is merely wasted with the logic factor of the director himself. The characterization of the hero is not fully established. The villains who deal with not only the domestic operations but to the stretched out foreign locales are shown as clowns. To cut short, their characterization comes as more theatrical.
Direction is mediocre, but some shots are really commendable. Of course, gr
ace coming in bits and flashes doesn't score full marks. Comedy is given a name's sake touch, with the boredom factor continuously pricking the audience. Songs are a feast to the eyes. They are terrific with extraordinary selection of locations. Music by Mani Sharma too sounded well in theatres, though it doesn't create that much impact in the audio market. Dialogues are good in part. The scene in which NTR comes cycling and rendering dialogues in favour of TDP is something to observe in the backdrop of state politics. Cinematography is superb. Technical standards of Vyjayanti Movies are not missed out even by an inch.




Staff Reporter
KOCHI: It was a day of roaring business for jewelleries on Sunday, with people thronging the shops to buy gold on Akshaya Tritiya day, considered auspicious for making new purchases and starting new ventures.
All the jewellers opened shops by 7 in the morning and remained open till around 8.30 or even 9 in the night. Many arranged for extra staff and special counters to deal with the crowd.
Around 62 kg of gold was sold through the outlets of Joy Alukkas all over the State till noon, according to Vinod, manager of Joy Alukkas in Kochi. The rage was not confined to gold alone. Diamonds worth Rs.40 lakhs were also sold at Joy Alukkas outlets in the State till 2.30 p.m.
Joy Alukkas also chose the day to launch a new product, a diamond-embossed gold locket with the image of Mahalakshmi, Goddess of Wealth. The lockets, with the name `Samrudh', specially designed for the occasion, were sold out before noon. It comes in the price range of Rs.4,000 - 6,000.
The countrywide sales of Joy Alukkas till afternoon touched around 100 kg of gold, through its 11 outlets all over India.
There was heavy rush at Josco, another city-based jewellers. The crowds were even more than the last time, according to the manager. Traditional items were moving more than the modern designs. Gold coins were also in high demand.
The Akshaya Tritiya purchases started becoming a rage in the State only recently. Now, not only jewellers, merchants of all other ranges have also joined the Akshaya Tritiya crowd in a big way these days.
Major textile shops like Parthas have launched schemes and offers to mark the day. Seematti, another prominent textile group, inaugurated its renovated showroom for kids to coincide with Akshaya Tritiya.
Thiruvenkitam, patron of the group, Beena Kannan and Gauthram Reddy were present. Indus Motors is offering gold coins to people who buy vehicles on the day.







Chennai - Adyar Canal bank road is full of banners quoted "Long live Dream Angel Trisha". The area persons exicited whether Trisha joined in any Tamilnadu Political party.
She was welcomed by bouquet next biggest shocking was one elderly person fell at Trisha feet (may be he think she will be next CM of Tamilnadu?. No idea..) and he gave some petition to Trisha (future CM of Tamilnadu).
Trisha then ask her PA to take necessary action against that petition. She inaugurates blood donation camp, her fan club web site and Trisha Foundation. Later she came to Cancer Institute. She lid a light and cut the cake among cancer affected children and she celebrate her 24 Th Birthday.
Trisha accompanied entire function with her mother Uma Krishnan as usual. So, Next lady politician coming...........
This Images is Click It Prview the total Trisha Bio Data


Nandamuri Tharaka Rama Rao was born in a farmer’s family at Nimmakuru, Krishna district of Andhra Pradesh on 28th of May 1923 at 4.32pm. His mother wished to name his son as Krishna, but his uncle named him as Taraka Ramudu, which later confined as Taraka Rama Rao.
red the film Industry at the age of 14 through his home production tatammakala, in which he had the opportuinty to work with the two legends of Tollywood, Late Sri NTR and Dr. Bhanumati Ramakrishna
Dynasty may give someone an initial boost in films but success demands more skills." This is proved once again by Nandamuri Taraka Ramarao, fondly known as Taarak by friends and family and NTR /Jr.NTR by his fans